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The Johnny Cash Project

PostDateIconWednesday, 12 January 2011 10:10 | PostAuthorIconWritten by Administrator | PDF | Print | E-mail

For me the Johnny Cash project is a great artistic project for fans of the “man in black” in which , when I got notice of it, I really wanted to participate with.

The frame I worked on is #1313.

The Johnny Cash Project is a global collective art project. Working with a single image as a template, and using a custom drawing tool, you’ll create a unique and personal portrait of Johnny. Your work will then be combined with art from participants around the world, and integrated into a collective whole: a music video for "Ain’t No Grave", rising from a sea of one-of-a-kind portraits.

Strung together and played in sequence over the song, the portraits will create a moving, ever evolving homage to this beloved musical icon. What’s more, as new people discover and contribute to the project, this living portrait will continue to transform and grow, so it’s virtually never the same video twice.

Ain’t No Grave is Johnny’s final studio recording. The album and its title track deal heavily with themes of mortality, resurrection, and everlasting life. The Johnny Cash Project pays tribute to these themes. Through the love and contributions of the people around the world that Johnny has touched so deeply, he appears once again before us.

The Johnny Cash Project is a visual testament to how the Man in Black lives on – not just through his vast musical legacy, but in the hearts and minds of all of us around the world he has touched with his talent, his passion, and his indomitable spirit. It is this spirit that is the lifeblood of The Johnny Cash Project.


Frame #1313 shows you Johnny on the railroad track walking towards the horizon.

The train stands for change. Moving to a new beginning. Closure of this part of the phase of life you are in at that particular period.

Now Johnny was wearing his guitar in this frame on his back. I changed the guitar in the cross. The cross stands for religion but also for suffering. And to carry that suffering on your back/shoulders.

The telegraph poles in the distance next to the track, I transformed into the 3 crosses on the hill. Known of the crucifixion of Christ.

Johnny is walking with his suffering to a new phase in his life. Willing to come clean. Start again. Saying: ‘Hey, this is me. This is who I am. This is what I am. I’m standing here. I am open. Now take me for what I am or leave me be.’

For more info, please go to www.thejohnnycashproject.com

 

Last Updated (Wednesday, 13 April 2011 10:24)

 

U2, Zooropa and Macnas

PostDateIconWednesday, 16 June 2010 08:41 | PostAuthorIconWritten by Administrator | PDF | Print | E-mail

It was May 1993 when I got a phone call from my brother telling me he just got called by the Dutch U2 fanzine if he wanted to be a volunteer for the Irish theatre group Macnas and if he knew 3 other people as well who wanted to this. As big U2 fans we were already going to all the gigs in the Feijenoord Stadium in Rotterdam and this sounded like something that will only comes one on your path in a life time. So the answer my brother gave was a big YES.

 

When we arrived at the Feijenoord Stadium we went to the meeting spot and met the other volunteers. There were 100 of us and we were all excited. Excited for the U2 shows and excited for what we will be experiencing as volunteers for Macnas.
We were suppose to be at the stadium quite early so Macnas could instruct us. It all didn’t go by plan. I believe we waited several hours to go inside, but the Irish were very anxious about letting 100 U2 fans loose in the restricted area. And to honest, I can’t blame them.

Then came the big break for us all.
A car came driving our way and wanted to go into the restricted area. When it was next to us we could clearly see who was in the car. BONO. Our energy went pumping up to the roof as was our anxiety.
The restricted area was only guarded by 2 men. They opened up the gate and would close them. That was their job.
The gates open, the car drives in and before the gates were closed it stops and the little man with the big presenta comes out. Chaos ruled. 100 fans wanted to touch him, talk to him, get his autograph and photograph him. The guards couldn’t possibly stop all these people and were freaking out. But Bono remain calm and tried to spend as much time as he could to fulfil the needs of 100 volunteers.

 

When finally also we, the volunteers, could enter the restricted area we were instructed by the people of Macnas. It would be a theatre show that would make us think about the upcoming of fascism in Europe, the ethnic wars in former Yugoslavia and the genocide in Rwanda.
We would show the public a ethnic cleansing. A terrible thought and not quite the usual opening for a Rock concert.

The group would be split in half. You would have 50 people (with massive heads) who wouldn’t fit the supreme race and 50 people being soldiers of “Captain Chickenhead”. The group of my brother and I were all soldiers.
You had a massive vacuum cleaner or so on the stage where the massive heads would go in and where there heads would become ‘pure’ again. Each of those massive heads would be put on the top of a big pole with a banner on carried by the soldiers who were lined up in front of the stage.
In the end ‘Captain Chickenhead’ would finally concurred and be thrown in the vacuum cleaner and the world would be free again.

 

We did all the shows in The Netherlands. 3 of them were in the Feijenoord Stadium, Rotterdam and one in Goffert Park, Nijmegen.

All by all this was a major experience for me and got me thinking big time about the world and politics. I was a youngster in those days, 16 years old. All of a sudden the world wasn’t that innocent anymore and it was time to grow up.

 

For more info about Macnas please visit their website: www.macnas.com

Last Updated (Wednesday, 12 January 2011 11:00)

 
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